On the centenary of the Bolshevik Revolution of 1917, this lecture series brings to campus three internationally distinguished historians of modern art to discuss the role that artists and filmmakers played in the revolutionary reorganization of social relations in the Soviet Union in the 1920s and ’30s. How did their utopian imagination take on spatial and pictorial form? How did their work help to engender processes of emancipation and social transformation? And what role has their example played in the intersection of radical aesthetics and leftist politics ever since?
This series is offered in conjunction with the installation What about Revolution? Aesthetic Practices after 1917, on view in the University Teaching Gallery at the Harvard Art Museums through January 7, 2018. The installation presents three new models of avant-garde aesthetic practice that developed in the wake of the revolution and includes works by El Lissitzky, Sophie Küppers, Kazimir Malevich, and Aleksandr Rodchenko. The series is organized by Maria Gough, the Joseph Pulitzer, Jr., Professor of Modern Art, and co-sponsored by the Department of History of Art and Architecture, the Davis Center for Russian and Eurasian Studies, and the Harvard Art Museums.
“How Can a Work of Art Be Revolutionary? Case Studies in the History of the Left”
Leah Dickerman, Marlene Hess Curator of Painting and Sculpture, Museum of Modern Art, New York
The lecture will take place in Menschel Hall, Lower Level. Please enter the museums via the entrance on Broadway. Doors will open at 5:30pm.
Free admission, but limited seating is available. Tickets will be distributed beginning at 5:30pm at the Broadway entrance. One ticket per person.
Complimentary parking available in the Broadway Garage, 7 Felton Street, Cambridge.
After the lecture, the installation What about Revolution? Aesthetic Practices after 1917, in the University Teaching Gallery on Level 3, will remain open until 8pm.